How Excellent Film Editing Makes Us Feel Luke Skywalker’s Failure

A good movie owe a set to great writing and acting . But the people creditworthy for the rhythm of worked up arcs and intimate moments of battle are rarely if acknowledged . Those people are movie editor , and counterintuitively , an editor is often at their in force when their work is whole invisible .

The magnate of an editor in chief , as described by Tony Zhou in the newest installation of hisEvery Frame a Paintingseries , lie in being able to control the worked up weight of a prospect . And the exclusive most powerful tool for exhibit believable dispute is simple : sentence . There ’s a understanding movies we often think of as “ slow ” are the I that tugboat at our heartstrings . A Michael Bay moving picture might be fun to look out , but you ’d be hard - pressed to find anyone who feels invested in any of his characters .

As an example of good empathetic vista tempo , Tony runs through the scene in Empire Strikes Back where Luke attempt to cabbage his X - wing out of the swampland using the Force . As the ship climb the cuts get quicker and quicker . They convey excitement , but also Luke ’s growing confidence in the force and Yoda ’s surprisal . Then , as the ship bury again , the pace of editing slacken down . The conniption ’s conclusion lasts twice as long as its work up - up , and that help us to see Luke ’s thwarting and Yoda ’s disappointment .