Live shows are supposed to be an experience , an experience which need to be massive and visually arresting , especially when a band is playing an sphere show . That ’s on the dot why king of Leon is playing against the background of a newfangled loanblend CRT screen / lighting rig on its Mechanical Bull tour . But it ’s not the whole reason .
The U.S. ramification of the tour just wrapped up over the weekend in LA , and the band is now headed to Mexico for a few more date . They ’re carting this unbelievable screen with them along the way . Here ’s some footage of the setup from the go ’s first show , at the Made in America Festival in Philadelphia on Labor Day weekend . It was the first meter the squad had used this display :
Footage courtesy Phear Creative
Casey McGrath , the band ’s originative director , who also directs a bulk of the band ’s euphony TV and produce the 2011 bio documentary Talihina Sky , told me that the item of the tech was to tell a better story . Which sound like phoney stigmatisation lecture , until you see the specification .
The Radiant MC-18 Hybrid screen is 74 feet wide of the mark by 38 feet high , and it has a 2:1 aspect ratio — a choice made specifically to give the visuals a cinematic effect . There are 32 by 32 pel in each venire on the screen , each of which are embed with depleted - res pel to add up depth .
On top of that , the screen at the same time prove playback from McGrath and Kings of Leon ’s production squad , as well as IMAG footage by video recording music director Phil Woodhead , and although it is n’t 3D , but it ’s speculate to palpate three-D , and at times , 4D , thanks to existent - life effects like blow inside the sphere . And not to note smoke . This is a careen ‘ n roll show , after all .
I have n’t seen the hitch first - script , just footage and images provided to me by its creative squad . But per McGrath , it ’s a comprehensive telling of the band ’s history in live concert course . Opinions on the music by , there is a very clear vision behind the death penalty of the show . And it ’s one that ’s inherently tech - focused .
“ What ’s alone about [ the band ] is there ’s this tenseness between their screen background and where they are in life , ” McGrath told me in a phone interview , referring to the band members ’ transition from originate up with a Pentecostal minister father to the rock star life style of today .
“ There ’s this constant tension between sin and salvation , and the images that were used to bring that — fire , weewee , blossom , crosses , skulls — are expressing a specific style . We require this to be a very specifically Kings of Leon visual experience . We want to take things in nature and thing that are very much a part of Americana and represent them with the style . And the way to do that was in a way that was very technologically sophisticated way . ”
Whether the aesthetics are your loving cup of tea — or you ca n’t study this post without consider about the time Martin Luther King of Leon canceled a show in the middle of a setbecause a bird shit in the drummer ’s mouthpiece — is beside the point . The screen is telling , and it ’s the kind of thing you ’ll buy a ticket to see .
And depend on which urban center you see Kings of Leon in , the apparatus is dissimilar in fiat to adapt ( key parole ! ) to stadiums , festivals , amphitheaters , and so on . For the tour run , there were a amount of five setups with unlike roofing tile configuration and size . They are as follow :
Setup A : 1152 x 576 pixels , 36 x 18 Tiles , 71 ft x 35 ft
frame-up B : 1024 x 512 pixels-32 x 16 Tiles , 63 ft x 32 ft
Setup C : 896 x 448 pixels-28 x 14 Tiles , 55 ft x 28 foot
Setup D : 786 x 384 pixels-24 x 12 Tiles , 47 ft x 24 ft
Setup E : 640 x 320 Pixels-20 x 10 Tiles , 39 ft x 20 ft
Each prison term the king of Leon crew arrived in a new city , it was a rush to make the setup work in a new place . Different size and pixel form everywhere , got it . But the experience was just the same every time .
euphony
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